All LONGHI, Pietro Oil Paintings
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LONGHI, Pietro The Tailor sf oil painting


The Tailor sf
Painting ID::  7988 		Artist: LONGHI, Pietro
Painting: The Tailor sf
Introduction: 1741 Oil on canvas Gallerie dell'Accademia, Venice
   
   
     

 

 

 
 

 

 

 
LONGHI, Pietro The Little Concert sg oil painting


The Little Concert sg
Painting ID::  7989 		Artist: LONGHI, Pietro
Painting: The Little Concert sg
Introduction: 1746 Oil on canvas, 50 x 62 cm Pinacoteca di Brera, Milan
   
   
     

 

 

 
 

 

 

 
LONGHI, Pietro The Tooth Puller g oil painting


The Tooth Puller g
Painting ID::  7990 		Artist: LONGHI, Pietro
Painting: The Tooth Puller g
Introduction: 1746 Oil on canvas, 50 x 62 cm Pinacoteca di Brera, Milan
   
   
     

 

 

 
 

 

 

 
LONGHI, Pietro The Spice-vendor's shop g oil painting


The Spice-vendor's shop g
Painting ID::  7991 		Artist: LONGHI, Pietro
Painting: The Spice-vendor's shop g
Introduction: c. 1752 Oil on canvas, 60 x 48 cm Gallerie dell'Accademia, Venice
   
   
     

 

 

 
 

 

 

 
LONGHI, Pietro Vendor of Roast Meat sg oil painting


Vendor of Roast Meat sg
Painting ID::  7992 		Artist: LONGHI, Pietro
Painting: Vendor of Roast Meat sg
Introduction: c. 1757 Oil on canvas Ca' Rezzonico, Venice
   
   
     

 

 

 
 

 

 

 
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     Check All LONGHI, Pietro's Paintings Here!
     Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting. . Related Artists to LONGHI, Pietro : | GHEYN, Jacob de II | Arkhip Ivanovich Kuindzhi | Theodor Kittelsen | Giovanni Battista Castagneto | Jean joseph Taillasson |

 

 

 
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